Let me help you with that.
Thank you.
You're welcome.
Were you visiting in Columbia City?
I lived here.
No.
Why, you look like you just stepped right off Michigan Boulevard.
Did they tell you not to talk to strangers?
You know, everybody's a stranger to your meet-up.
All of us got to run over, didn't ya?
I'll be to introduce myself.
It's pronounced Joy.
Father was French.
Charles S. Joy, S for smile.
Charlie to his friends.
That's engraved.
Oh, forget it, though.
Rub your thumb over that.
Huh?
Oh, keep it.
I got plenty of them.
It's a nice thing to stick in your bureau mirror
with the dance programs, picture postcards.
Hey, let me show you a trick I learned
my first year on the road.
And then my sister went to Chicago without knowing the soul.
Then she met Sven, he's in the stock room.
And they got married.
They lived in a flat with dad and running work.
Did I look like one?
Oh, yes, you should see your letters.
Then you're off to do the same, huh?
I can do better than many.
I went through school.
Yeah, well, then, looking like you,
I ain't going to hurt any.
No, it's not us.
That's the slums.
It's South Chicago.
That's where they told me to get off.
I don't know where you live.
Are you late?
Here you are, Sven.
Hello, Gus.
I walked home to Sal Street.
If you walked home to save the fare, you shouldn't.
I told you you could take it out of the board money.
Can you scrub the skin off?
I wish I could.
I hate my job.
I could be there 100 years and never have anything to show for it.
Can't even buy a coat for winter.
I haven't got what to stake to carry.
If you want to stake, you've got to work for it.
But no matter what you make, I got to have $5 board money.
They're almost back high in front of you.
Keep it moving, will you?
The light's so bad, it can't be.
Do you want to get on the machine?
Take it off the pedal, you fool.
Don't try to get it out.
Don't pull.
Turn that wheel slow.
All right, there it is.
Just went through the nail.
Everybody back to your machines, nothing serious.
Wash the dirt off that and take the day off.
Stop at my desk on the way out.
Yes.
That ain't a bad one, Harry.
Here's a dollar. A whole day's pay.
You can kick the change.
Time is for a lease.
Make an exit if you can, right?
I'll let you know when I come back.
You don't know where I live?
I'll find out.
Hey, you, come over here.
Have you got an apron?
Oh, yes, I have.
Follow me.
I thought I'd take you home, Terry.
How can I go home?
I'm tired.
Thank you, Anna.
He's coming right down.
Thank you.
Oh, I know my apples, but girly you're a peach.
Oh, hello. Hello, Sally.
Good-o.
Oh, you've been keeping yourself.
I'm out at month and fifth.
Is that a fact?
You know, I've been thinking a lot about you, Sally,
but I've been busy.
You're here and it's called a dog.
My name's Carrie. Carrie Mebers.
Of course, Carrie.
Just wanted to see if you knew.
Mr. Goulet.
Oh, Charlie's the name. Charms again.
What's up?
Would there be work here in your company?
For you?
Yes, I lost my job this morning.
Oh, no, no. They don't hire girls.
No, they're pretty. I just can't find any.
Hey, you look pretty whipped, Carrie.
This is not the girl that I saw in that train.
Shoo, Fasci.
I got my finger caught in the machine this morning.
It did?
I just don't know what to do.
Carrie, that's no work for you.
Does it hurt?
Not very much.
Let me see it.
Come on, give me your hand.
I want to give you something.
Here's $10.
Oh, no.
Take it.
Take, buy yourself something nice to wear.
If you look for a job like that, they'll hand you a broom.
I could never pay it back.
Not if you don't take it. You can't.
I'll take half of it.
No, no, never take half of anything.
Now, look, this will see you through until you get a job again.
Now, listen to me.
I got some things to finish up here before we close.
I want you to go home, wash your face,
see if you got something else to wear, haven't you?
Yes.
Well, put it on. You and I will see Chicago tonight, huh?
Have you been to Fitzgerald's?
No, of course not.
I'm going to buy you the best meal in town.
Now, you meet me there at 7 o'clock.
Fitzgerald's. It's on Adams. Everybody knows it.
Take a hat.
7 o'clock.
Carrie, you won't be able to work at the machines with that hand.
Why weren't you more careful?
What's Sven going to say?
It's all right, Milly. He didn't dock me.
He gave me two weeks' salary in advance.
Here. I'm going to give this to Sven tonight.
Where'd you get that?
The boss gave it to me.
My things.
Who brought them?
Anna Jankowski.
You were fired.
Who gave you the money, Carrie?
You're going home tomorrow, Carrie.
I didn't do anything wrong. It wasn't wrong.
From a man?
Yes.
Sven will take that kind of money.
And if you do, you'll regret it all your life.
I'm sorry.
Sven!
Out!
Out, please!
Can I help you?
I don't know. I'm supposed to meet someone.
Do you see him here?
No.
He's not here.
No.
You'll probably find him in the restaurant.
There?
But I don't think I'd walk through the bar if I were you.
Oh, I'm sorry.
The entrance is right next door.
There you are.
Thank you.
It's like that. It breaks the monotony.
I'm sorry.
We've got to go.
I don't want to sit down.
I want to leave a message.
Yes, what is it?
Well, would you tell Mr. Drouet, Mr. Charlie Drouet,
to come with me to the restaurant?
Yes, I would.
I'm sorry.
Would you tell Mr. Drouet, Mr. Charlie Drouet,
that I couldn't come, that I can't meet him,
and I couldn't wait to tell him?
And if you would give this back to him?
What is it, Louis?
No.
Who is it?
Mr. Drouet, Charlie Drouet.
No, he isn't. I'm Ernie.
Well, maybe he is.
He should be. Shall we look?
Well, it would be better if I could just leave this.
Were you going to have dinner here?
Yes, I was.
Why don't you wait?
It's a very good restaurant.
Oh, I know. It looks good.
Carrie! Hello!
You got here early.
Good evening, Mr. Hurst-Wood.
Mr. Drouet, good evening.
Say, you've got a good memory for names.
I haven't been here in a couple of months.
Nice table for Mr. Drouet.
Thank you.
I'm sorry, I'm sorry.
No, why don't you try to be a sensible girl, Carrie?
Stop worrying.
Put the money away. Just a loan from a friend.
I'm not going to give you another thought.
Buy yourself a little coat.
You need a coat, don't you?
Well, there you are. Pay me back when you get a job.
Anything wrong with that?
You better put that money away before the waiter picks it up.
Look out!
Now, that's settled.
You've been awfully nice, Mr. Drouet.
Oh, why not?
Everybody gets a little help from somebody.
Look around you. Some of the finest ladies in Chicago, right here.
Where do you think they get everything from? From their husbands?
Or friends.
No.
The little ones.
Oh, that's the first time you've smiled.
Come on, let's enjoy this, will you?
Oh, no. I didn't order any champagne.
A compliment from Mr. Hurtman.
Thank you.
Thank you very much.
Isn't that nice?
Hey, there's another smile. Oh, I wish you could see it.
Here, look in the mirror. Do it again.
Now, there you are, right up there. Those two windows. You see?
Now, why don't you try to be a sensible girl?
I don't think I'd be better.
Look, I'll have the cabbie wait.
If you don't like it, you can come right back.
I think I'll take a streetcar.
You're sissy? You're going to watch her.
You don't want to go back to the farm, do you?
You like Chicago. You said you'd want to stay here, don't you?
Oh, right. It's a nice little flat.
Now, it's going to be empty for ten days anyway.
I'm going on the road tomorrow.
Well, I can just as easily catch you 11 o'clock out to Edison tonight.
I'll see you there.
If you like it, move in. No, bored, not a dime.
By the time I get back, you'll be fine.
Hey, maybe you'll have a place of your own.
Here's the key.
Here's the tent.
Thank you. Thank you for everything.
No, nothing.
Now, uh, you wait right here.
You wait right here.
Where are you going?
I've got to get in my bag, don't I?
Well, I'm all packed.
I want you to take your hat off and make yourself cozy.
Hey, you're scared to death.
Yes, I am.
Oh, what for?
I'll tell you what.
Why don't I go out and get a couple bottles of beer,
and play the graphophone, make you feel better, huh?
What do you say?
I'll tell you what.
I'm going.
I just thought I'd take a later train, that's all.
No, no, I'm off.
I'm off.
Good night.
Take care of yourself.
Good night.
Good night, Herb.
Good night, Judge.
Oh, Mr. Hirstwood.
Good evening.
I, uh, want to thank you for that bottle of wine you sent home.
Oh, did you enjoy it?
Oh, yes, very much.
Did the young lady enjoy it?
Yes, it was a brand new experience for her.
Leaving town?
Oh, no, no, no.
I'm just checking into the Imperial for a night or two.
Maybe three.
You, uh, care to join me in a nightcap?
Yeah, thank you.
No, I'm leaving now.
Some other time.
Sure, sure.
Well, drinks for the house.
On me.
Good is good.
When you stop and think about your usual fast lunch.
Fast is fast.
There's only one real choice.
Taco Bell.
Steak is steak.
Steak, the heat is real steak, real fast.
Hello, Taco Bell.
Think about it.
If spending your time cleaning the toilet bullies you...
Bully your foe with swish.
Extra-thick swish cleans as it coats,
and nothing leaves the bathroom smelling fresh like swish.
So get the thick cleaner with a great fresh scent.
Bully your foe with swish.
Boy, look at these chores.
Chores?
I'm Chore Boy.
I do pots, pans, grills, the oven, the range hood.
Finished.
What's for dessert?
Chore Boy, the answer to your chores.
Saturday.
The night begins with action and adventure.
Now, terror strikes at a new time.
Werewolf is on the move and taking over the start of Saturday night.
Then, Beans has a date with a college coed in danger.
The feds are looking for me, Mary Allen.
Look, guys, I gotta be home by 11 or my mom is gonna shoot me.
I'll take care of it for her.
This week on Cisco in Eberdell, the movies will look at movie trailers,
the coming attraction you'll see in theaters this summer.
Morrow-Schwarzenegger.
Do they sell the film? Do they make you want to go?
Why don't we take the five minute break?
Spaceballs.
The movie.
That's this week on Cisco and Eberdell and the movie.
Be brave. It's not too late.
You're on the go and don't need the discomfort of your period.
A pain reliever like Adval or Mydol 200 will leave the pain behind.
But only part of you is ready to go again.
You still may have tension and water weight gain.
So let's back up and do this right.
Take Multi-Symptom Pamphrin with the only combination of ingredients
sold today recognized to relieve the pain of cramps
and tension and water weight gain.
Do it right.
Take Pamphrin.
Period relief, not just pain relief.
It's music magic every Thursday evening at Houdini Plaza in downtown Appleton.
Top off your Thursday with some good music
and the great shopping possibilities of downtown Appleton.
Don't miss the great jazz of the Jamsaw.
Thursday night at 7 in the country of Dan and Mike all this week at noon.
WXGZ Super 32 is joined in bringing music magic to Houdini Plaza by these fine sponsors.
The Appleton Center, the Appleton Post Crescent, Pepsi, Miller High Life,
Houdini's Great Escape Cafe and the Appleton Downtown Retailers Association.
Returning to Carrie, starring Jennifer Jones and Laurence Olivier.
.
Where do you live?
Oh, there.
Would you like an apple?
No.
What's your name?
Haven't you got a name?
Well, what is it?
I'm not supposed to talk.
I'm not supposed to talk to you.
Well...
Sharps raiser.
You know, if I thought I could swing it, I'd raise a mustache.
I'd like a mustache, okay?
What's the matter?
When are you going to marry me?
When I'm...
Well, anytime, anytime at all, you know that.
People in that house...
Everybody, they know.
They talk about me.
Oh, I won't stand for that.
No, sir, we'll put a stop to that.
When?
When? Well, now that's the question.
That's what we got to settle.
When? Well, we can't get married anymore today, can we?
And we can't get married tomorrow. It's a Saturday.
I don't think of where to get married next week.
I leave town on Thursdays.
Look, when I get back, huh, sweetheart?
What do you...
I'm going home to Minnie.
I'll tell her...
I don't know what.
But if you really want to marry me,
you come there for me.
Just like I was home with the family.
Oh, Carrie, that's silly.
Things are going to straighten out.
Just wait.
You'll see. Everything's going to be just the way you want it.
I'll bring your present.
I won't be here.
I'll bring it anyway.
Come on, boy.
Here we go. Come on. Come on. Come on.
Come on.
That's it. Come on.
Excuse me.
Oh, Mr. Hurstwood, hello.
Good to see you again.
Oh, hello, Mr. Drouet.
What do you think of the wolf?
Brand new.
I just named him Columbia.
Well, hail Columbia.
It's pretty good, here.
It's for Columbia City, Missouri.
That's where Carrie came from.
He's a peace offering.
Carrie?
Come on, come on.
Dinner that night. Don't you remember?
Oh, yes. The girl who came in the wrong door.
Oh, you should see her now.
Hey, are you going anyplace?
No, just walking.
Look, I live right over here.
Why don't you go up for a drink? Say hello.
Well, fine.
Oh, come on.
She'll be delighted to see you.
Come on.
You live right around the corner here, you know.
Maybe this is...
Oh, she'd be sick of the death to see you.
Oh, there you are, sweetheart.
You remember Mr. Hurstwood?
How do you do?
I... I was just in the neighborhood.
Hey, look at this.
A companion for those lonely hours when I'm on the road.
I was just going home.
Oh, Carrie. No, no.
Mr. Hurstwood's an old friend of mine.
It's all right.
Sit down, George.
Good vermin, there.
Hey, he's shivering.
I'll put him on your bed, huh?
Uh, help yourself, George.
You'll take great pleasure in the puppy, Mrs. Drouet.
Sometimes dogs can be more understanding than people.
May I help myself to a glass of sharing?
Oh, yes.
One for you?
Yes, thank you.
Trump.
Mr. Hurstwood, I'm losing.
Wait, Carrie, wait.
Uh-oh, he's nervous.
He doesn't know what we're going to do.
Oh, is that so?
Well, play Charlie, play.
I'm going to play this one.
If I'm not mistaken, that's it.
Oh, now.
No, no, figure it out yourself.
Of course.
Exactly.
Ah.
He didn't count, but you did.
We'll give you the ten of diamonds and take the rest.
Put them down, Carrie.
Oh, how sweet.
I won.
It took the two of you to do it.
I don't care. I won.
You like to win, don't you?
Yes, I do.
Hey, she learned the game quickly, didn't she?
Didn't think she could do it.
I think she could do anything.
Charlie, I've had a fine evening.
Thank you, Pa.
Now, George, we want you to come back to the theater again real soon.
Don't we, Pat?
Yes, Mr. Hurstwood.
We enjoyed it.
Thank you.
Say, I've got two tickets for the theater Friday night.
Why don't you use them?
Friday, I'll be in Duluth.
Well, you keep them.
You'll find someone to date.
Thank you very much.
And when you get back, will you come down to Fitzgerald
to be my guest for dinner?
Isn't that nice?
I'll buy you a new dress.
Good night.
Good night, Mr. Hurstwood.
George, why don't you take her to the theater?
I don't mind.
Well, I'll see you when I get back.
Good night, George.
Good night.
Wow.
That's what I call a high class fella.
Knows the finest people in Chicago.
Spends the evening with us.
What's the matter? Didn't you like him?
Yes, I liked him.
Good evening, George.
Good evening, Julia.
Hello, Father.
George, this is John Connell.
How do you do?
He just brought Jessica home from the club.
Club?
The Thursday Continuum of the Park Club, George.
Oh, yes.
Can I offer you a drink, John?
Oh, no, thank you, sir.
Good night, Mr. Hurstwood.
Good night.
Good night, John.
Good night, Mr. Hurstwood.
Good night.
Good night, Pat.
Good night, Father.
I wish you'd learned to sell your drinks at the bar
and not here in your home.
What Connell is he?
They have the big house on the drive.
Oh, yeah.
And Green Acres at Walker Shop.
Yeah, I know his father, Slim Connell.
You know him as a waiter knows him.
They're one of the first families of Chicago,
and he's interested in Jessica.
Jessica is 16.
Jessica has got to meet the right people.
You come in here bowing, it's great.
Why can't you show a little dignity?
I offered the little pipsqueak a drink.
What's so undignified about that?
Must you always remind everybody
you're in the liquor business?
You're not comfortable without a shaker
or a bottle in your hand, are you?
Hello, Pat.
Hello, George.
Now, you're not going out at this hour.
Those young friends of yours
can't hold up the side of the drugstore without you.
Have you been fighting again?
No, no.
How'd you make out today?
Fine.
Made the semifinals.
Won three straight steps.
Six, four, eight, six.
Six left.
Good boy.
Pop, I thought maybe
I'd like to meet some of the fellas.
Go see the tennis coach at the match tomorrow.
Don't put me in the middle, George.
That was a lie, Pop.
I don't want to see the tennis coach.
I've got a girl.
What girl?
Just a girl.
She's awful pretty.
But she's waiting for me.
You're lucky.
Go on.
No, thanks.
You too, Pop.
Oh, Mr. Hurstwood.
Good afternoon.
How do you do?
I brought you a book.
Oh, thank you.
The complete oil for your protection.
Now if Charlie thinks the king should take an ace,
you look in the book.
Will he be home?
No, Charlie left for Duluth this morning.
Oh, I thought he said he wasn't leaving until Friday.
Won't you sit down?
Thank you.
Did you find someone to take to the theater?
No, there isn't anyone I can ask.
Would you ask me?
Why, yes.
What have you got there?
It's a play they're going to do out at the club where Charlie belongs.
Do you play in it?
No, Charlie does.
He plays the friend of the duke.
That's Charlie, everybody's friend.
Does he carry a sword?
No, he wears a hat with a long feather in it.
I guess that'll be just as deadly.
Isn't there a partner for a pretty girl?
Yes, there's Gwendolyn.
Is she very pretty?
Yes, she's supposed to be.
Well, why don't you try for it?
I'd call that good casting.
No, I'd be scared.
Gwendolyn talks so, so nice.
Besides, I've never even been to a theater.
Maybe I could help you.
How?
Well, let's see.
First act, first scene.
Mr. Hurstwood, you were kind when you called me Mr. Druey.
I don't know what you, what Charlie said to you.
I don't know what you think of me.
I think you're very lovely.
I try to behave as if I were Mrs. Druey.
I will always behave that way.
Thank you for the book and for coming to call on us.
I offended you.
I'm deeply sorry.
I've forgotten how to behave.
Charlie and I will always be glad to see you, Mr. Hurstwood.
Thank you.
And will you forgive me?
Yes.
May I still take you to the theater Friday?
As Mrs. Druey?
Thank you.
Thank you, Noah, and thank you, yes.
Yes.
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Are you a victim of the laundromat hassles?
Then Van Vrede's has a solution.
Bring the laundromat to your home during Van Vrede's great laundromat sale.
Look what $8.68 a week buys you.
This two-speed eight cycle whirlpool washer and this three temperature four cycle whirlpool dryer all for eight sixty eight a week
The point laundromat sale on now through August 15th at Van Vrede's of Little Shoot, Monashia and Green Bay your key America dealer
Hey Annie, coming fishing? I don't know, my nose is so sore. Aw honey, it's your allergy. Let's try puffs. Grandma says they're softer.
But I've used the other kind my whole life. Puffs feel softer to me. They are softer. Puffs are puffed to be softer. Hey wait for me. You know if you cry you'll scare the fish away. I'm not gonna cry.
Puffs the softer way to blow.
And now at TV 32 Community Calendar the Oshkosh Red Cross will be holding a babysitting course from 1 to 3 p.m. August 18th and 20th. The course will be held at 201 CB Avenue.
For more information call 231-359-0. You're invited to an ice cream social August 16th beginning at noon at the Ward Memorial Theatre.
The benefit is presented by the Soldiers Home Foundation to aid the Historic Ward Memorial Theatre Restoration Fund and to celebrate a dozen decades of dedication by the Veterans Administration Medical Center.
The Nina Park and Rec Department is sponsoring a trip to the Milwaukee County Zoo August 13th for children ages 6 through 14.
There is a $4 fee and advance registration is required by noon on August 12th. A Disney Goes Small Town parade is the featured event in the Van Dyne Small Town USA Day.
The parade will be held August 16th and feature the Marquis German Bugle Corps from Fond du Lac and the Gibraltar Volunteer Fire Department in Fish Creek will be having their annual Fireman's Festival August 16th.
Hi, I'm Shawn Thompson. I'm not a doctor and I don't even play one on TV but I am the host of The Late Show all this week.
It's my prescription for all that ails you. There's comedy, talk and tonight doing his thing live on our stage we have Andy Summers from the police.
Take one dose of The Late Show tonight and every night and feel good all over.
Anyone in there?
The Late Show. Don't go to bed without it. Tonight, live at 10.30 on Super 32.
We now return to Carrie starring Jennifer Jones and Laurence Olivier.
Mr. Fitzgerald is in the office.
Well, put a bottle of Mung Ton ice cream on me.
Yes, sir.
Good evening, Mr. Fitz.
Hello, George.
Much of a crowd after dinner?
Hmm, on the average.
I went to a theater and saw a fine show. Camille.
With Julia?
Uh, no.
How is Julia?
Fine. Fine.
Well, I'm glad to hear it.
I've been in every night this week and haven't found you once.
Does it look as if business was suffering?
Oh, I didn't mean it that way. I thought perhaps something was wrong at home.
Nothing wrong as unusual?
Count your blessings one by one.
Then you'll see what the Lord has done.
I hear your blessings. Would you like to lock them up?
George, what is it you want? What are you looking for?
Everything.
I don't like to hear that kind of talk from a man your age.
It's dangerous.
Nobody has everything, George. Nobody.
You've got as much as anybody I know.
You've got a nice home, good position as long as you want it.
Two fine children.
After all, Julia's a sterling wife.
Uh, wait.
I want to put something in my compartment.
You been playing poker, Mr. Fitz?
It's set for 11 o'clock.
Fitz, I never lose cash before 11.
All right.
You know, sometimes it does a lot of good to talk things over with an older and wiser head.
Want to walk me home?
Let's talk about it.
Uh, George.
That, uh, Camille?
That isn't a burlesque show, is it?
No, Fitz. No, it isn't.
Well, a man in the liquor business can't be too careful.
Good night.
Franklin and Pines.
Excuse me.
I didn't know it was taken.
Franklin and Pines.
Never mind, Joe.
Are you Lonesome?
Yes.
Good. So was I.
George. Mr. Hurstwood.
George.
During the play, I looked at you once and...
and your eyes were filled with tears.
Well, of course. I pride like a baby. I always do it, Camille.
Carrie.
Why didn't she tell him the truth?
Then he wouldn't have left her and...
and maybe she wouldn't have died.
Carrie, I've got to see you again.
I... I don't know. I...
Does he come home tomorrow?
Yes.
What will happen to me?
I can never thank you enough.
What for? The happiest week of my life.
Does it end?
Do you love him, Carrie?
When you're poor, it gets all mixed up.
You like the people who are good to you.
Do you love him?
Carrie.
I want you more than I ever wanted anything in my life.
I love you.
I should have waited until I met you.
But I didn't.
And now I'm not free.
Will you meet me tomorrow?
How can I?
He's coming in on the morning train from Duluth.
What time?
He'll be here by 11.
Carrie.
Don't leave me.
I love you.
Is that the right way?
Just a few minutes.
Why can't it be the right way?
Yes, sir.
Put oil on it.
Yes, sir.
Good morning, Frank.
Good morning, Mr. Burns.
A little ride.
That was quite a train wreck.
Where?
In Seattle. The worst wreck we've had in years.
Western Express jumped the track on the curve.
This paper says there are four dead and 20 injured.
Yes, sir.
I want you to go out to Ogden Avenue with a note.
Yes, sir.
You've got to be there before 11.
Very well, sir.
I'm going to go to my friend's house.
I'll be right there.
You will?
Here I am.
The weary traveler home to his castle.
Do you miss me?
Oh, Charlie.
Did I miss you?
But not too much.
There was a little waitress in the American house in Rocky Falls.
Do you think Charlie was just about it?
Oh, she wouldn't stand a chance.
Charlie, I've got to go out.
What for? I just got in.
My sister. I've got to go and see her.
Oh, something wrong?
I don't know. I'll find out.
Hey, wait a minute here. What's up?
Who's important, Minnie or the master?
I'll go with you.
No.
Well, all right. But meet me for lunch.
12.30, will you?
Yes.
Fitzgerald.
Oh, couldn't we go some other place?
Sure. Where?
I don't know.
Fitzgerald's at 12.30.
Oh, am I going to pack it in?
I've been eating Indian food.
Blank dog.
Oh, I got a present for you.
It's a silk thing.
Yes.
You came.
Did you think I wouldn't?
I didn't know.
I didn't know if you'd want to or not.
I wanted to.
There.
Now you're all right.
Did he get back?
Yes.
I can't live without you.
You know that, don't you?
I don't want you to live without me.
Harry, leave him.
Come with me, will you?
Yes.
Say you love me.
I love you with all my heart.
I want to say something to you.
And then never talk about it again, George.
What is it?
About Charlie.
I'm so ashamed of the way I've lived.
It's over, Carrie.
We don't have to talk about it ever.
But I promise you, I'll be an honest, decent wife to you.
Carrie, I may have to go away Saturday.
Will you come with me?
Yes.
Carrie.
Yes.
What is it, George?
Trust me, my darling.
I do.
Do you?
Of course I do.
I have to go now.
Really?
Yes, at your place.
Wow.
How's your sister?
Fine.
Fine?
Oh, it was nothing.
Oh, that's good.
You hungry?
No, thank you.
We'll see what they got.
How about a, uh, a lake trout?
Yes, yes it is.
It is what?
Yes, it's good that there's nothing wrong with it.
Minnie.
Hello, George.
Oh, an omelet?
George.
Who?
Charlie.
Oh, that's right.
Charlie's a name.
Jealousy's a game.
You been seeing a lot of that fellow?
I have something to tell you.
Look, I got something to tell you.
He's just a little too nice.
He's just a little too nice for us.
I don't like married men to be too nice to my girl.
He's all right.
There's nothing wrong with him.
Just watch it.
He's not married?
Of course he's married.
Carrie.
He's not married.
For years he's got kids.
Everybody knows that.
I thought I told you.
You lied.
Excuse me, sir.
Mrs. Hurstwood is in the restaurant.
Thank you.
Well, Julia, are you joining me for lunch?
I've had my lunch.
But I will have a drink.
Whiskey.
I'll join Mrs. Hurstwood.
Bourbon.
I'll have a drink.
Well, what brings you here?
A young woman.
What?
The one you took to Lincoln Park on Tuesday,
and took to the theater three times last week,
and went boating with on Sunday.
Let me go free, Julia.
I'll give you anything you want.
What have you got to give?
Everything you own is in my name.
You're in no bargaining position.
And why are you here?
To make sure that you behave yourself.
If you see her one more time,
I'll go to Mr. Fitzgerald.
Thank you.
Will you give her up?
I'm not like you, Julia.
I don't make threats, and I don't make promises.
I don't make promises.
Well, I make them.
And I keep them.
I'm not like you.
Is this table on the way in?
I don't know, sir.
The time is about to take their order, and they left.
There's a cabbie here who wants to see you.
Mr. Hirswood?
Yes.
I've got a pair out here who want some word with you.
A young lady.
Carrie?
What's wrong?
Is it true?
Is what true?
You're why.
You killed him.
Carrie?
It's true.
Every word of it is true.
No, wait.
Look at me.
No.
Nothing's changed.
Nothing.
I love you.
Look at me and see that.
I see that you're lying.
And I see why.
You got me dirty.
No, no, my darling.
You know.
But I'm not.
Will you get off of me?
Carrie, listen to me, darling.
Will you let me go now?
Where's Mrs. Hirswood?
She's upstairs.
She's resting.
What did you say to her?
What are you doing home at this hour?
How dare you hound her?
What are you talking about?
Don't lie to me.
I didn't see her.
What did you tell her?
That she was breaking up a happy marriage?
Why didn't you tell her the truth?
That you've had nothing but contempt for me as a man
and loathing for me as a husband?
Get away from me.
Why didn't you tell her that you bled me for money?
That she skinned and weaned and everything I've got is in your name?
And that's all you ever wanted out of me?
Don't tell you I didn't see her.
You must be losing your mind.
Now get out of my room.
Now you listen to me.
I have found somebody who loves me, and I'm going to have that before I die.
No, you won't.
Not if it haunts me.
You can't stop me.
Nobody can stop me.
What about the children?
What are you going to tell them about them?
I'll tell them everything.
They're people now, or they're grownups.
They want to live and love just as I do.
You can get a divorce.
You've got all the evidence and all the money you need.
But this much happiness I'm going to have.
I'll have a burger with everything and a large fries.
Want me to drink?
Yeah, a Coke.
I'm in a Pepsi.
If you want a great refreshment, just say what you mean.
I'll make that two Pepsi's.
Pepsi, the choice of a new generation.
It's never been better.
1.9% financing.
1.9 APR on all 1987 Ford cars now during closeout at Pease Fox Cities Ford Dealers.
Lakeside Marina now has three locations, Oshkosh, Green Bay, and Neenah.
Neenah's new 30,000 square foot showroom in the Fox Point Plaza
features over a half million dollars in quality name brand used boats.
Green Bay's lakeside on Monroe Avenue has an excellent selection of new and used boats from Bayliner and others.
And Lakeside Marina near Titan Stadium in Oshkosh has over two million dollars in boat inventory,
featuring both Bayliner and Carver.
For the finest selection of the finest quality boats, stop at Lakeside Marina in Oshkosh, Neenah, or Green Bay today.
If it's true that Elvis was the king...
Hey, you had to be blind not to know the guy had something.
...then Priscilla was the queen.
Elvis Presley, the king of rock and roll.
See the Graceland you've never seen before.
This is the look you've wanted, hosted by the one who knew him best.
[♪upbeat music playing
Saturday on Fox, a new hour of comedy when down and out in Beverly Hills moves to a new time.
I have no problem with that.
When Dave's sister gets left at the altar, guess who catches her on the rebound?
How'd you like to give your future brother-in-law a great big hug, huh?
Vic.
Daddy, this is Stephen Foreman.
You always do have good taste in men. I guess you get that from your mother.
That was my friend, Stephen Foreman.
All Laura didn't tell me is that he's your young man.
Currensong, Saturday on Fox.
[♪upbeat music playing
Something strange is happening Saturday night.
Look out. Werewolf is on the move.
No place is safe. He will find you wherever you hide.
And he's not waiting until eight o'clock.
Beginning this Saturday, terror strikes.
One hour earlier.
[♪upbeat music playing
Sinkable? Unthinkable.
The unsinkable taste of Cheerio. Not a lot of sugar to weigh down though.
Cheerio. See how they float? No keeping them down.
So he can't, she can't, you can't say.
The unsinkable taste of Cheerio. Not a lot of sugar to weigh down though.
Cheerio. The unsinkable taste.
Cheerio. Cheerio. Cheerio. Cheerio.
We now return to Carrie, starring Jennifer Jones and Laurence Olivier.
You've had about enough, haven't you, Mr. Drouet?
I'm waiting for your boss.
We're going to close up.
All right, close up. Come on, close up.
No, I'm not leaving town. Just locked out for a day or two.
Where's Carrie? Where she belongs.
Is she at her sister's? No, no.
Don't you know you're out? Completely out. The double cross is over.
Just rack up a try for yourself.
Low down, sneaky try.
All right, Mike, put it on the desk.
This isn't what you think it is. No?
Well, you're a polished gentleman. I'm not.
I'm just a guy selling both goods.
I wouldn't know what gentleman like you think this is. You tell me.
I love her.
What right have you got to love her?
What can you do for her? Lock her up some place while you sneak around town like you've been doing, see your wife won't see?
I'm going to marry her.
Tomorrow.
The gentleman is buying the wine.
Can I make you a nice nightcap before I go?
No, thanks, Mike.
Thank you.
good trip to.
George.
Hello, Fitz.
I'm glad you're here.
I was leaving the office.
I'm sorry.
I was just going to get some fresh air.
I'm sorry.
I was leaving the office.
George, I didn't come here to talk about business.
I'm here at your wife's request.
It's for your own good.
No, Julia, you let me handle this.
Don't meddle in this, Fitz.
It's none of your business.
Very much my business.
You're managing the most respectable emporium in Chicago.
That's how you got to act.
Oh, I saw this coming.
You're in the hands of an unscrupulous woman.
Don't.
You're an old man, Fitz.
Don't.
I am going to pay your salary to Julia
during this unfortunate phase.
If you have no more money to spend on this woman,
she'll soon sell her papers somewhere else.
I'm sorry.
Who is it?
It's me, Carrie.
Carrie, please.
Go away.
Carrie, I've got to tell you something.
I want to see you.
I'll never see you again.
Never, never.
Please go away.
Carrie, you don't understand.
It's about Drui.
He's been hurt.
Do you hear me, Carrie?
Charlie, it's hurt.
He wants to see you.
Where is he?
In the hospital.
I'll get dressed.
Wait.
Union Station.
Where is he?
He's just outside Chicago.
Quick, we have to catch a train.
All right, driver, hurry.
How did he get out there?
I don't know.
How did it happen?
Is he badly hurt?
No, no, I don't think so.
How did you find out?
A telegram.
That's all I know.
You'll make better time on LaSalle Street.
Hello, sir.
Thank you.
Thank you, sir.
We're going to see Charlie.
Aren't we?
What?
Where are you taking me?
I'll tell you, Carrie, if you'll be quiet.
We'll be in Englewood in a few minutes.
You can get off there.
After you've heard me, I won't tell you.
Then all that about Charlie, that was just another lie.
Yes, it was.
I have to tell you something before you walk out of my life,
and this was the only way I could think of to do it.
I lied to you about my wife, my family, and my intentions.
I did it because I knew you'd never see me again if you knew that too.
I never will.
You think I lied to you?
You're wrong.
I think you risk losing me.
I love you so much, Charlie.
I will always love you.
Englewood, Englewood.
This could be the beginning for us.
Now we can have everything in life, and have it together as man and wife.
That's not true.
Carrie, I have no wife.
We're rid of each other at last.
As of tonight, I'm free.
A free man.
How can you be sure?
Get her divorced.
She needed evidence, that's all.
Now she has it, she can get it tomorrow.
This is just what she's been waiting for.
What I've waited for, Carrie.
We can marry right away, just as soon as we get to New York.
Trust me.
I've gambled on your loving me.
If you don't, Carrie, you must get off now.
But if you do, if you do love me.
All aboard.
Oh.
What's the matter?
Columbia.
What?
My dog, I left him.
He'll be all right.
He'll look for me.
He'll want to follow me.
I'll walk to New York for a little dog.
If you don't read TV Guide this week, you might be missing something.
Anything you want to say now?
Bye.
Bye what?
Bye fans.
Bye what?
Bye TV Guide.
We're here, tuning, for you to see.
Have you heard?
Stereo.
Passed the word, got the shows.
The winners, the best, shows around.
Bringing you the best day and night.
A style that'll make you feel all right.
You're the best, the best, the best.
Bring it on, bring it on.
All aboard.
We're here, tuning, for you to feel the best.
And the words, yeah.
We're here, tuning, for you to feel the best.
Because we're night and day is a ride to joy
All aboard.
Back off to Naga water.
WXGC Super 32
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Tune in
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I'm going to run you over
On the city's northwest side
At 316 B.M.
If you have any information
That might help solve this crime
Or any other major felony
Call Crime Stoppers today
You remain anonymous
And may be eligible
For a cash reward
Of up to $1,000
This is it
Bottom of the 9th base
Is loaded
Two ounce full count
Rob Dierup at bat
Here's the pitch
A swing
Glen Franklin of Peokey Superstores
Has pulled the plug
On high
up at that. Here's the pitch. A swing. Glenn Franken of Pioche Superstores has pulled the
plug on high prices. This 12-inch AC DC TV, 45 bucks. Heavy-duty GE washers, 239. GE refrigerators
as low as 288. Complete stereo rack systems, 199.
Incredible! You just saw baseball history in the making!
History is being made at Pioche Superstores because they pulled the plug on high prices.
We now return to Cary, starring Jennifer Jones and Laurence Olivier.
Cary?
Did you like it?
No, I couldn't. I've been looking out the window. What have you been doing?
Well, I tell you. I've been out on business, Ben. I went to the post office.
And then I went to a couple little restaurants, snooping. And then I decided I needed a new hat
for going to the theater tonight. And I want to look my best.
Is it a nice hat?
Madame Louise thought so.
Oh, it's yours.
Oh, it's not for me.
Well, it's not for me.
What is it?
Oh, no, no, no. My hair is dry. Wait a minute.
Are you happy, my Cary?
Happy. George, look at me. Look at where we are.
I'm Mrs. George Hurstwood of New York City.
Mr. Hurstwood?
You're a hard man to find. My name is Alan. Western Bonding Company.
How much have you got left?
This is a personal matter between Mr. Fitzgerald and myself.
And me.
Mr. Fitzgerald has my personal note for the entire amount. I consider it a loan.
And we consider it grand larceny.
Of course. Sorry. Here's your note.
Unacceptable.
Why?
No collateral.
I have $18,000 in the bank in Chicago. I have stocks, I've got my house.
Do you think I'd be here if we hadn't tried to get it out of your wife?
She'll see you rot in jail, Hurstwood. How much have you got left?
I have an opportunity to buy into a business. In a year, I could refund it.
Has she got it?
Who?
You know.
I have $6,000.
Out of $10,000? No, no.
Come on, let's go down and meet the desk.
I'll see to it that Fitzgerald gets every cent of it.
But you don't seem to realize. You're no better than a burglar, and I've got to take you in.
Now, if you tell me you've grown a couple hundred and you come up with the bulk, I'll listen.
Take your time.
Good evening, sir.
Well?
I have $9,000. And how many hundred?
Three. Five?
I told you, three.
$93,000. Go get it.
Would you wait here?
That's pretty good. Now, I'll go with you. I get London.
Oh, I'll...
This is Mr. Allen.
I do.
How do you do, Mr. Allen?
Is it under the rug?
I'll be right back.
Won't you come down, Mr. Allen?
I would, but I'm as nervous as a cat.
Back door, fire escape, and roll.
I'm a little nervous jigging out here.
Are you connected with the hotel?
Yeah.
We're enjoying our stay here.
Yeah, my home office figured that.
Here are the papers, Mr. Allen.
Fine, take a look.
Arms wide, Mr. Allen, please.
You might be sending me home with a bell telephone book.
Well, you still got your health.
I'll give you your receipt, just to keep it on it.
Of course, this isn't generally known.
Hm?
Is it? Is it there?
I guess there's a couple of fellows in Medicine Hat don't know about it.
Any robbery over a thousand dollars, we automatically inform all our clients.
You ought to know that.
You ran a first class restaurant.
We bond about every place like in the country.
Say, tell me, I'm just curious.
Why does a fellow like you do a thing like that?
Hm?
I want a receipt.
Cigar?
No thanks.
Just trying to be social.
Goodbye.
I didn't like him.
I didn't like him very much.
Who was he, George?
Was he laughing at me?
George?
Just down there.
George?
George, what is it?
Who was that man?
What's the matter?
George, you must be crazy.
I don't want to.
Carrie, you love me very much.
Of course I do.
What are you worried about?
About that.
An awful lot depends on it now.
Why?
I'm broke.
Oh darling, I thought something really terrible would happen.
Will you stay with me and trust me?
Will you go on loving me?
We're married.
I'm your wife.
Carrie, that's not enough.
Are you sorry you married him?
Try to understand it, darling.
We've got less than $50.
I owed a lot of money in Chicago.
I paid it back today.
To Mr. Allen?
Yes, yes.
But I'm still rich.
I've got my own family.
I'm rich.
I've got my love for you.
It's you I fear for.
What have you got?
I've got you, George.
You'll have a fine position in no time.
I'll look for a cheap apartment tomorrow.
We'll manage, you'll see.
By the time?
All our lives, my darling.
To start again?
Yes.
More butter here, Jack.
Butter?
I'm handling four tables.
You know where the butter is.
I'll be right back.
All right, Jack, all right.
$8.50, $8.75, $9.
$9.10.
$8.80.
$1.80 each.
Funny thing about head waiters,
the things they won't pick up and the things they will.
Hey, Rockefeller.
I want to talk to you.
Hey, George.
Mr. Slauson.
You never told me you worked for a
Fitzgerald in Chicago.
Well, I'll have to let you go.
I guess you know why.
Come here this minute or you know what you'll get.
Hello, Carrie.
Where are you?
I'm in here, George.
How's my girl?
Fine.
How are you?
Fine.
You had a very good lunch trade today.
Oh, I'm glad.
What did you do?
I walked over to Gramercy Park.
They have a fence around it.
It's locked.
It's only for the neighbors.
But it's lovely.
There's some children there.
We'll live in a neighborhood like that.
We won't stay here forever.
I didn't mean that.
There must be a hold on it.
I took two dollars, George.
I paid the bill at the grocery store.
I gave Mr. Blum a little money.
You're so quick to pay them.
Let them wait a little.
They can't wait, George.
They need the money as much as we do.
I can't buy food and things and not pay for them.
It's not honest.
What do you mean?
It's like stealing.
Shut up.
I'm sorry.
Carrie, please listen to me.
Well, what is it?
I'm desperate, Carrie.
I've got to get out of this.
I've got to.
If I could get $1,000, save anything to get out of this,
to get a place in my heart, I'd do anything.
I'm sorry.
I need to get out of this, to get a place of my own.
If it was mine, I could build it up into something.
Really, I would.
How can we save $1,000 out of what you make now?
Didn't I?
I bought a house of my own.
I raised children.
I lived well.
Nobody lived better than I did.
Stop talking about the past.
What good is it?
Let's take what comes, but let's not worry so.
Take this.
Live like this.
a page. When you do me a favor, when you go to the store for me, I'll get you a coat.
Get a bottle of milk, your newspaper, and a cigar.
Sure, Children, you are not alone.
They will arrive soon to save your lives.
May you write many pages of poetry.
Hello.
Mrs. Iransky.
Yeah?
Can I come over?
Sure.
Hello.
Hello, Gary.
Can I take her out?
Sure.
Did you have the baby here in the class?
Sure.
Him too.
Did it cost a lot of money?
What was?
Oh, I don't know.
Doctors, clothes.
Oh, no.
You?
Oh, that's fine.
Oh, it took me very pretty babies.
If I was back home, I'd know more about what they were doing.
Oh, I'm sorry.
I know more about what to do.
Is it very different here in the city?
Oh, it's the same all over.
You keep them cool in the summer and warm in the winter.
It's Fleet Farm's hottest sale of the year.
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Make outdoor cleanup fast and easy with a Paramount Power Blower, only $45.95 complete with attachments.
Give any lamp modern touch control with the Touch and Glow Lamp Dimmer, now just $6.95.
And enjoy high-quality, high-quality products, and high-quality products.
I'm going to have to go to the bathroom.
but things of fantasy which are undeniably real suddenly appear.
Sulu!
Enjoy yourself, Captain.
It's an interesting planet. I believe you'll find it quite pleasant.
You'll have no problems.
I swear, I heard someone moving around.
Don't talk like that.
Darling, just in case you get to my apartment before I do.
Did you see that gal then?
Kissing at nine in the morning and practically inviting him to her bedroom.
You won't find women like that in Cedar Rapids.
No matter how hard you try.
Rock Hudson stars in a very special favor. Wednesday Superstar Theatre at 8.
Critics agree that Duet has dialogue so good, it makes the whole show sing.
Now that you've met my family, do you still like me?
I don't know.
Put on the cheerleader outfit and we'll discuss it.
Duet is a disarming charmer.
What do you think, Rupert?
Engagingly offbeat.
That's what you always think.
I'm honored and touched and deeply in lust with you.
We now return to Carrie starring Jennifer Jones and Laurence Olivier.
George? Are you back?
Where were you?
George, sit with me a moment.
I don't care about my clothes. I washed them.
I'm trying to dry them.
Sit down.
I'm going to have a child.
In about six months.
Don't worry, darling. I feel wonderful.
Really?
Something's burning, George.
What have I done?
I'm not going to wear a patch.
How can I wear a patch?
What have I done?
Two
Young man.
Could I buy that from you?
For how much?
Would a 10 cent profit interest you?
Oh, I've been waiting in there all morning.
These things are hard to get nowadays.
Yes, I know.
But I need a day's work very badly.
I have a wife with a child coming.
It's a sad story. We'll keep it strictly commercial.
Would you take 50 cents for it?
Yeah, I'll take 50.
I'm Mrs. Hurstwood.
This is Mr. O'Brien.
Is Mr. Hurstwood here?
No, he isn't.
When do you expect him?
I expect him any minute.
I'll wait.
Good afternoon.
Hello, Mr.
Oh, Mr. O'Brien. Mr. Hurstwood, I trust you well.
Yes.
Have you met...
Oh, yes.
I think we'd better get right to the business.
Yes.
You see, Mr. Hurstwood, your son is thinking of getting married.
Is he?
Do I know the girl?
Get on with it, Mr. O'Brien.
Yes.
My client has had a handsome offer for her house.
It is her desire to sell and take up residence in a modern apartment hotel.
Your signature would permit her to do so.
I have the papers all made out.
Thank you.
$11,000. That would be $5,500 each.
Well, my client had not contemplated any division.
Your client wants to sell a house, which is our joint property.
To do so, she must have my signature. That's the law.
To get my signature, she must give me half of what we own.
If he doesn't sign that paper now in my presence, Mr. O'Brien,
I'll send him to jail on the charge of figment.
Save me.
I thought you were going to be pretty there.
You got your divorce a year ago.
I will never divorce him.
You've got to.
Make her, George. Make her.
Oh, oh.
Mrs. Hurstwood, I understand your feelings.
But in a practical sense, you can't make him sign.
You want that money, and jail won't get it for you.
Well?
I think a settlement, a portion of it, a small portion,
I'd offer him $2,500.
I'll make a bargain with you, Julia.
You always like to bargain.
How much will you take, Mr. Hurstwood?
Give me an immediate divorce.
And I'll do anything you want.
The institute proceedings, at once.
Sign right there, Mr. Hurstwood.
Carrie?
She's sleeping.
The doctor gave her something.
What's wrong with her?
She'll be all right.
She's hurt.
You know, she lost the baby.
Let her alone for a while.
I'll take her across the hall, if you want.
Sure?
How do you feel?
I was in the kitchen.
I know.
It's best.
Believe me, dear, it is for the best.
They take a great deal of care.
I know.
We don't want to bring a child into this.
You're glad, aren't you?
Oh, no, Carrie, no.
We'll have a baby when we can, when it's all right.
When?
When we're rich?
When you own a great big restaurant?
When you're 80?
Carrie?
Carrie, don't.
Don't be angry.
I'm going to stop this slide.
You'll see.
It won't go on like this.
It can.
At my age, when you're out of work,
people think there's something wrong with you.
That just makes it a little harder.
That's all.
When I get the chance, I'll be better than ever.
You believe that, don't you?
I can't advise you, George.
But I know one thing.
I'm still young.
And I'm going to live.
Somehow.
What do you give to someone who's used to a ride lighter than air?
A Buick.
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This waterbed may look harmless,
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A wise man believes only in lies, trusts only in the absurd, and learns to expect the unexpected.
Could you write something in it?
Are you alright?
Nice dance, Sammy.
Aaaaaah!
It's music magic every Thursday evening at Houdini Plaza in downtown Appleton.
Top off your Thursday with some good music and the great shopping possibilities of downtown Appleton.
Don't miss the great jazz of the Jeff Santega Band Thursday night at 7, and the country and pop of Dan and Mike all this week at noon.
WXGZ Super 32 is joined in bringing music magic to Houdini Plaza by these fine sponsors.
The Appleton Center, the Appleton Post Crescent, Pepsi, Miller High Life, Houdini's Great Escape Cafe, and the Appleton Downtown Retailers Association.
We now return to Carrie, starring Jennifer Jones and Laurence Olivier.
Oh, every day of the year.
Every time. That's the most amazing life ever.
Oh, look.
Alright, mediums. Mediums only.
I said mediums.
Alright, now you walk right across the stage. Heads up.
You stop in the center so Mr. Goodman can get a look at.
No grandmothers, no grandmothers. We need dancers here.
I think. Alright, go ahead.
You'd like to smile out front and form a line.
Now you.
Any experience?
Yes, I've been in several plays in Chicago.
What did you play?
Camille.
What's your name?
Carrie.
Madenda.
Alright, Camille. This fills it, Mr. Goodman.
I'll keep a couple of the pretty ones hanging around. Some of these might be flat footed.
Alright.
Now the rehearsal call is for nine o'clock tomorrow morning. Be on time.
You've got to be on time every morning for the next four weeks. Can you do that?
Oh, yes.
Good. The show opens Monday, November 4th in this theater. Good luck. Thank you all.
Thank you.
May I walk you home, Miss Madenda?
Oh. Sure.
Did you see the show?
I saw a lighted stage and one person on it.
You didn't tell me you had a speaking part.
Well, if you can call it that. Two lines.
You did it very well. You looked beautiful.
The best part about it is I got a raise. It's $18 a week now.
Uh-huh. You can support me in luxury.
Why, I just had a little luck, George. That's the only difference between us.
You ought to push your luck and play it for all this world.
You ought to have good clothes. It's a nice place to live.
You can make your way up into that other world, Carrie.
The one I left.
You mean alone?
You're never alone up there. Down here we're flonesome.
Good morning, George.
Morning.
Listen to this, Carrie.
Among the passengers arriving on the newly equipped S.S. Coronia today are Mr. and Mrs. George Hurstwood Jr.
Mrs. Hurstwood was Ellen Palmerston, the only daughter of Edgar Palmerston,
president and founder of the Palmerston Plough Company, and chairman of the Chicago Board of Trade.
Upon their return to Chicago, the young couple will live at Lakeview on the Palmerston estate.
That's my son.
We were very close once.
He was a fine boy.
Would you like to go and see him?
Well, I don't know.
What do you think?
I've got your other shirt washed.
I could iron it for you.
It's a long time since he saw me.
I guess we're both changed.
You look fine, George.
It might be that you and I could even go back to Chicago.
No, leave me out of it for a while.
Why?
Well, he must have heard terrible things about me.
I won't leave you out of anything.
He's a man in love himself now.
He'll understand everything I've done.
This is a chance to get help.
Take it.
No matter what else happens, George.
Take it.
Let's see.
If things work out all right, you can send for me later.
You'll be with me.
George.
Mm-hmm.
I'll miss you.
Goodbye.
Good luck.
Goodbye.
Salads, but you don't love the work.
Suddenly, salad.
Three pastas and one potato salad.
Suddenly, salad.
Live high.
Right here on the wacky world of sports.
Famous plays and players looping on the course.
It's a gumball and a half.
Fill your bellies with a laugh.
Right here on the wacky world.
The wack, wack, wack, wack, wacky world.
Right here on the wacky world of sports.
["The Wacky World of Sports"]
Travel the world as National Geographic takes you on assignment.
Take off on the wings of a spectacular aerial ballet.
Yeah.
That was great.
Join the modern-day barnstormers.
Plus...
From the rooftops of Brooklyn, play the pigeon game.
And visit Monterey's High Tech Aquarium as National Geographic takes you on assignment.
["The Wacky World of Sports"]
New oatmeal raisin crisp.
Big, crispy flakes made with real oatmeal, raisins, and bits of almonds.
And that's what we've done to oatmeal.
I can't believe my eyes are crispy new, surprise for old, who takes the feel, look what they've done to oatmeal.
We're here to tune in for you to see.
Have you heard?
Stereo.
Pass the word.
Got the shows.
The winners.
The best shows around.
Bringing you the best day and night.
A style that'll make you feel all right.
WXGC Super 32.
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Super 32.
WXGC Super 32.
They're here to tune in for you to see.
Got the movies.
The winners.
The best stars around.
Bringing you the best day and night.
A style that'll make you feel all right.
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Super 32.
WXGC Super 32.
Hurry on down to Mayberry RFD, where the folks serve up comedy down homestyle.
Go, go, go Mayberry.
Now don't let their sophisticated looks fool you.
These characters are downright down to earth.
Of course, they've got their troubles like you and me.
You have no right to put us in charge.
You know how stupid we are.
But then what's a little trouble between friends?
I don't know where you call home, but you'll feel at home in Mayberry.
Weekday afternoons at 1.30 on Super 32.
And now for the conclusion of Carrie.
The End
Now, Miss Medenda, is there anything you could tell me that's a little bit more colorful?
Our Sunday readers like personal touches.
We've got all adults.
Two seasons in New York, one year on the road.
What's that?
Anything like your favorite food, fights with the director, romantic interests?
I can't think of any.
Miss Medenda, there's a gentleman to see you from Chicago.
Curtain in five minutes.
Is it you?
It is! Oh, Charlie the name.
Charms again.
Thank you, Miss Medenda. I guess I can get a story out of this.
Look forward to Sunday's load.
Thank you, Mr. Kelley.
Not a scar?
No.
Oh, what a long, long way.
You look lovely. You're successful. You're taller.
Prettier, younger, happier.
Sit down, Charlie.
As for me, I eat five meals a day, have 150 neckties, ride in a parlor car,
and you're the greatest thing I've seen since a flat iron milling. How are you?
I'm fine. Where do you live now, Charlie?
Oh, I've got a great big new apartment now. A lot of snappy furniture.
But it never looked as nice as that Ogden Avenue flat when you were in it.
I'm glad you're prospering.
I was going to ask you to come out after matinee, have a bite in the bottle.
Would you?
No, thank you, Charlie.
I learned to order a dinner just as good as Hurst would.
Oh, I'm sorry.
Did he ever marry you, Carrie?
Yes.
Oh, well, there you are.
You know, I heard he grabbed you and that money in Blue Town.
I got off my derby tune. What a guy.
Two minutes!
Did he ever get work here?
Of course he did. Why wouldn't he?
Well, it's pretty hard to keep a thing like that a secret, you know.
What a secret?
Are you kidding me?
If you're trying to belittle him to me, it's contemptible.
Wait a minute. Don't get mad at me.
I was the one who stuck up for him. I kept defending him when everybody else in Chicago said he was a common thief.
I knew why he stole the money. He'd have done anything to get you.
He did.
George stole money?
You didn't know?
I was the only one who didn't. It was in all the Chicago papers.
He opened Fitzgerald's safe for $10,000 the night you and he left.
Oh, if anybody ever burned the bridges, he sure did.
So that was why.
If they hadn't picked him up before he spent all that money, they'd have put him away for 10 years.
After that, of course, he was a marked man.
That was why he never got a job.
He had no friends.
He never found help.
You've got to pay the fiddler in this world, Carrie. I don't care how much he loved you.
You've got to pay the fiddler.
I ruined him.
Curtain, Miss Madenda.
I ruined him.
Hello, Mrs. Aranski.
I'm Carrie.
Yes.
I know. Carrie.
From over there. Remember?
Sure. Sure, I remember you.
I...
This is a coal oil heater.
I thought maybe you could use it.
It's good.
It's new.
That all right.
You're selling?
Oh, no. It's a present for you. I want to give it to you.
Hello.
Hello, Annie.
You don't remember me, do you?
How's she been?
All right. Come in.
When did you last see my husband?
Not since the landlord threw him out.
A month or so after you left him.
Oh, no, I didn't leave him. He...
He was going back to Chicago.
Well, I don't think he could have got there.
He wasn't in such good shape.
No, Mr. Blom was telling me he kept seeing him for a while.
He kept coming in there to get his dirty clothes pressed.
And he looked terrible.
Are you really looking for him, Carrie?
Oh, yes.
Go see Mr. Blom. He might know.
Thank you.
Goodbye.
He must live someplace.
Look, you're happy, aren't you? You're doing good.
You're well out of it. If he's all right, he don't need you.
But if he isn't?
If he isn't, he wouldn't thank you to see him.
Seven o'clock all out.
Please go home with that money.
drei
libr
Seven o'clock, all out.
I've only been out of the city hospital for two days.
They told me I should rest up.
Seven o'clock, all out.
Seven o'clock, all right.
Come on, you.
Seven o'clock, all right.
Come on.
Excuse me.
Are you all right, Bud?
Yes, officer.
I'm going to see a friend for real.
All right.
I've got to eat or I'll die.
Who are you talking to, me or God?
How would you know?
Now look at me.
Here you are.
Good night, Yesterday.
Good night.
Nothing.
Jerry.
George.
Where are you?
The driver?
I tried very hard not to do that.
George, I've looked so for you.
I need help.
Just tonight.
I need a little help.
I'm...
hungry.
Could you spare me a little something?
There.
Anything. I don't want to bother you.
I won't again, but just tonight.
Come with me.
John, get food.
That Italian place at the corner, they'll be open.
Bring something hot right away.
George.
What happened to you?
You don't have a name. What happened?
I...
I've forgotten.
Did I do this?
Did I?
Carrie.
I'm here for a handout.
Don't make me lose through too much to get it.
This is very generous.
I'll make it up to you.
Would you like this?
I'll have trouble changing that.
George.
I left you to be safe and secure.
Now that I am, make it worth something to me.
Let me share it with you.
George.
Look at me.
I know a lot more now.
I know what you did.
I know how much you loved me.
I want that again.
Let me have it back.
Let me bring you back again.
Don't live in the past.
I don't remember.
But I was too young.
I didn't realize.
Why didn't you tell me?
Why didn't you make me understand?
You still have time, Carrie.
Move on now.
You have someone to love.
It's a great experience.
Carrie.
You should get that changed now.
We'll need more money than that.
I'll see if Mr. Ames is still in his office.
You rest there.
I'll take you home.
And tomorrow we'll get you some clothes.
We hope you enjoyed tonight's feature.
Join us tomorrow.
They really wouldn't work.
It's important to get the spacing right so people don't trip.
That's a very comfortable feeling right there.
Here you've used a single flat piece to go straight from the deck to the lawn.
This is another little design feature that I think is very important.
I tend to plug into every design off of a terrace or deck surface.
It's to have a stone or something else in between so there's an intermediate material.
What that also allows you to do, in addition to feeling good,
is not to wear a hole in the side so your feet can land at any point.
There's no home plate that's going to be bare earth.
They're like a
There are lots of Xs to this deck.
I see one, two, three, this is the fourth one.
It's got a stack of Xs, A, Z, Zs, Zs, Zs.
The stack goes all the way down.
There's a pile of Xs.
You can't see it.
There's a pile of Xs.
two, three, this is the fourth one.
Yes.
This is going to step down.
Isn't that a bit dangerous?
Yeah, in the landscape, I tend generally
not to put a single step anywhere because it
tends to be a bit dangerous.
But if you need to, to have a separation
or a really strong distinction between materials
is very helpful.
I see.
I'm glad to see that you've got a light over here.
At night, this will illuminate it.
And an unfamiliar person coming up here
will know it's time to step up.
Yeah, yeah, it's a good safety feature, too.
I keep looking at these slabs.
I mean, these must be six, eight inches thick.
These are gigantic, enormous weights.
How on earth can Roger move these in here?
They weigh a veritable ton, to tell you the truth.
And as much a genius as Roger is with water and with stone,
mechanical equipment is one of his favorite things, too.
He has just a single bobcat with a forklift.
The whole process is incredible.
As a matter of fact, we made a videotape
of this whole thing.
The whole thing from the start to finish?
Yeah, that's three days.
I'd love to see it.
Let's go.
Roger, here's the site.
It's a delightful little space.
You see the wood trellis with the wisteria coming
through the wood deck.
Oh, and the greenhouse is here.
There used to be an old brick terrace.
So we need to make some connection
between the greenhouse and the landscape right here.
But the real problem is this deck.
It's a beautiful view to the landscape from inside the house.
But we have this really awkward lawn situation
where it just rolls right down to the edge of the deck
right here.
This looks as though it could be quite dangerous
if it was slippery.
Yeah, and it's also really uninviting.
You just kind of step right off into it.
Over here, we've got another awkward situation.
This is, as I said, was an old brick terrace.
Just used to flood with water because all the drainage
naturally comes to this low spot here.
So we've got to solve the drainage problem.
Well, we really had our work cut out for us.
While Roger went away to find suitable boulders and stones
for this garden, I sat down with paper and pencil
to design it.
This was the idea we had in mind.
Here's the deck right here with the arbor.
This is where I thought we could put the pool, maybe
put in some boulders as treat them like a rock outcropping
right here and get these steps to come right up
alongside this boulder.
Of course, the key thing is how to handle the drainage.
If we have an overflow pipe here,
maybe we could pick up that extra water
and get it to come out this way.
How about the fountain?
How are you going to treat that, Tom?
Well, let's come over here and I'll
show you what I had in mind.
If we excavate the pool right here,
let's say on this corner, I think it's a nice relationship
to the family room, put the recirculating pump right
underneath the deck here, maybe get the water supply tube coming
up the post, and maybe through some kind of a fountain.
Actually, I show it right here with the pool right here.
Here's the deck.
Here's the pump kind of concealed under the corner.
Maybe get the tube to come up to some kind
of a decorative fountain pipe, let's say,
that would drip the water back down into the pool basin.
We want it to look as natural as possible.
Perhaps what we should do here is to make this look.
We have our stones here, and the water
will come out of the stones as if it was a natural spring.
Like that sounds like a good idea.
Now, of course, getting the right stones
that we can make that feel and look natural
is most important.
How are you doing with those, by the way?
I found some real beauties.
Well, what do you think, Tom?
Well, these are just incredible, Roger, beyond all expectations.
This one is a real prize.
Unbelievable.
This must be about 9 and 1 1 2 feet long, 7 feet wide.
Beautiful little dish on one side.
What do you think this weighs?
About 3,500 pounds.
Incredible.
And look at this fabulous boulder.
Beautiful relief here on the side.
What I've done is taken these stones and boulders
and put them on the plan here, where I think
they might work real well.
Here's the big flat one that we're standing
on next to the greenhouse.
Here's this great boulder here.
And here we could configure some other kind of boulders
around the back with some steps that
would come up along the side, maybe two risers,
as we talked about.
I'd like to see this little waterfall come out
of a stone up top, maybe into this basin,
and then fall into the pool.
What we can do is carve this out and get it
so that the water splashes in here and then
over these ancient drill holes.
T
Nope.
Here's this.
All right, Tom.
You're making some incredible progress here, Roger.
Well, we've been working away at it.
Oh, it's looking great.
Boy, this rock just fit in here perfectly.
Look at that.
Just exactly what you anticipated.
Right.
I thought it might work.
It looks great.
And this really settles in beautifully, too.
Very nice.
Now, you're all set for the pool pour here, huh?
Right.
Hey, Tom, would you want to bring me some of that moss there?
Oh, sure.
We're putting the finishing touches on this here.
Ah.
Yeah, I like the sound.
Oh, isn't that something?
That's just great.
OK.
We've got a beautiful little echo chamber right in here.
Well, we wanted a spring-like sound, and anything more would be too much, I think.
I love the way you've set these stones, where they're really very subtle and where you've
also left enough space sort of in between so that we could plant some perennials and
ground covers.
I have just the thing for this little dish here.
Oh, great.
We'll just blend that right in.
Oh, good.
This moss is incredibly hardy.
It takes a little bit of aftercare, but you can't beat it.
Now, we still have some more planting and some finishing touches to do here, but then
we also have this walk that comes out in this direction.
I think the way you've snaked this through is just great, past the weeping crabapple
here.
And ultimately, I think the view into here is just absolutely grand.
This is certainly an impressive garden.
After seeing that video, Tom, I got just a couple questions.
What was Roger doing with the flamethrower to this piece of rock?
Ah, what he was doing was burning off the sort of glossy surface.
And what that is is a combination of liquid oxygen, diesel fuel, and air and water, which
he takes and very carefully kind of spalls off all those surface flakes.
So you see you get a much nicer texture here.
It's a little coarser.
It's a little anti-skid.
It makes it safer to walk on.
Definitely.
And it really brings out the character of the stone.
Well, another thing that I saw and couldn't help noticing in the film was that when they
were laying this concrete for the pool, it was just a thick sludge of concrete that didn't
seem to be any reinforcing rods.
And this is New England, after all.
You get a little freeze in there, and it'll bust apart the pool, won't it?
Well, the secret of this, without using that steel, Roger, is this stuff, which is called
a fiber mesh.
It's a polypropylene fiber.
Take a look at that.
What do I do with it?
Just pull it apart.
And you can see all these tiny little pieces.
Look at that.
Like a little fishnet.
Yeah, a pound and a half of this is put in per cubic yard of ready-mixed concrete.
And then it's all mixed together, and when it comes out, it all ties together like a big
mesh, which is much better than reinforcing.
These little fibers are the equivalent of a concrete reinforcing rod.
If not even better, because they don't react to temperature quite as much.
That is a marvelous solution.
All right.
Now maybe you can tell me where in this pool have you hidden the pump.
Ah, good question.
That's one of the key things that we've...
I'd defy you to even find it, actually.
But we've tucked it under this log right underneath the corner here so that it's totally concealed.
I don't see it.
I see some wires.
Well, that's good.
There are a couple of two hoses that we've run from the pump that go up and behind the
wall here and then come out and emit the water into the trough.
The reason for that, for having at least two hoses here, is to cut down the volume of water,
or the velocity rather, and increase the volume so that we do have the kind of trickle we
want so we can play with it a bit, you see.
That certainly looks very natural, but I understand you light this pool up at night.
Ah, you know, if you do look carefully, you might find a light under there.
Oh yeah, there it is, right behind the lulley pad.
Now, that's a submersible light.
It's totally waterproof.
You can put it right down under the water.
It's a 12-volt system.
We've elected not to do that.
So there's no danger of my being electrocuted.
That's right.
Well, thanks for telling me.
Yeah.
But what it does is it picks up the reflections on the water and kind of takes them and puts
them up underneath the trellis and so forth.
It's really kind of nice at nighttime.
Well, look, a key part of this garden, obviously, is the plants.
Can you tell us something about what you've chosen behind the...
Yeah.
Well, one of the key considerations here was this prime plant.
Unfortunately, we had this on the site.
This is a cut leaf Japanese maple, and this horizontal form was just perfect for this
water garden.
In fact, I love to use plants that tend to be a bit more weeping next to the water.
Kind of matches the flow of the water going down.
Yeah.
And this bronze color, you see, is really very attractive.
Nice contrast with this gold.
Yeah, I think these two, this gold Cami cypress, false cypress here, really tends to bring
out the color of both.
But you know what I do want to make sure that happens here is that we let this be the major
plant.
So I'd like to see that pruned down a bit.
In fact, I think what would be really good here would be to get this feeling of cascading
down.
Just take out the...
My tendency, yeah, I have a tendency to take out these pieces that really pop right up
here and then to let these...
Let the side ones grow out.
Yeah, exactly.
And eventually they'll cascade down over the rock.
Yeah, or just wisp over.
So the maintenance here of this little garden is going to be very, very important.
Now you've got, next door, you've got a little weeping larch, I guess this is, isn't it,
tied up to a stake?
Oh, yes, yes.
But normally you get these in containers in nurseries and they're all staked up like this.
What I would like to do with this one is take the stake off and out and then eventually
have this kind of creeping along the edge of the rock and then have these little pieces
cascade over.
Well, that's a weeping clone and eventually they'll just keep growing down over the base
one.
Yeah, and that'll be very attractive.
What we can do is just stake this down a bit for the time being and just let that creep
over and then when that falls over these edges it'll be very, very attractive.
That will be lovely.
Now this is a fairly restrained garden here.
I mean, you don't have a lot of bloom.
Yes, well, you know, because we have so much happening here with the different kinds of
stone and the different colors and textures of greens, my sense is that this is really
a very peaceful kind of quiet statement.
Well, this is a fairly showy, very quiet.
Well, yes, but here you see we have just one tiny little niche where we needed something
to kind of brighten up things.
So this little variegated iris I thought was a nice addition, as was this little sort of
blue-green juniper, which is the variety blue star, one of my favorite low-growing blue-green
junipers, particularly nice texture and color against these big heavy rustic rocks.
Next to that you've got, what is that, a pink sileen?
Yes, isn't that a nice little subtle flowering plant right here, Roger?
Very nice.
If you've got a plant here, Tom, that I don't know at all, what's this one?
Well, this is a dwarf morning glory, a variegated morning glory, isn't the leaf great?
Sort of shrubby sort of thing, isn't it?
But if you look a bit under the foliage there, you'll have a surprise.
Huh, look at that, isn't that nice?
A perfectly typical morning glory flower.
And then growing within here is myrtle leaf rhododendron.
We've got several of them in here.
The reason is to have a nice little display through the wintertime also, you know, once
the annuals disappear.
Well, listen, speaking of annuals, Tom, I can't help but notice over here you've got
a planting that is as loud and flamboyant and colorful as that garden is, subdued and
understated.
Yes, this is a bit of a temporary planting here, Roger, but in time what I'd like to
see is a carpet of ground cover, maybe some bulbs, and a bit more of a subtle planting
of infill annuals.
But what we really want to do is to let this sort of umbrella-shaped crabapple take the,
you know, the prime position in this garden.
This was here when you put the garden in?
Yes.
It's a nice specimen.
What about this little envelope pine over here?
Well we really, this is really as ill-suited for this location.
We certainly want to block the view out from this terrace to the parking area, but we want
something that's going to be a little less fussy.
This will be great out in the lawn somewhere all by itself, but with the ice and snow coming
off the roof, it will kind of deform it.
It's a very symmetrical plant in nature, and I guess we've got to break it up and kind
of spoil its looks.
Well later on, let's transplant that, but for now, let's put a Japanese black pine in
there.
Certainly, I've seen an awful lot of Japanese black pines along the coast.
They're one of the toughest plants that I know.
Yeah, I think it would be perfect for this location because the snow and the ice will
tend to make it even more picturesque.
Just give it more character as they break off branches and knock it one way and one
of that.
Shall we put it in the ground?
Why not?
Okay, let me give you a hand.
I see you've dug the hole.
The hole's already been dug.
Great.
I will check the depth and make sure that it's deep enough.
Really want the plant to be the same depth as it was in the nursery.
I use a planting board here.
All right.
Yeah, that is just about perfect.
Now listen, if you'll hold the bucket, I will lift the plant.
All right?
Okay.
The nice thing about container-grown stock, of course, is it can be transplanted any time
of year.
The only thing we've got to check for is to make sure there are no big circling roots
that would go on and girdle the tree.
Like two nice juvenile roots coming out there.
It's probably just fine.
Looks good and healthy.
Just popping it over there.
Oh, they're not light.
Carry it over here.
Now, Tom, you've got to tell me which way you want it.
Which way?
What's the front?
Let's put the flat side toward the... About 180 degrees all the way around.
Of course.
Always backwards.
A little more.
Just a little more there.
That ought to be right there.
All right.
Now, if you give me a shovel full of dirt, I'll work it in around the root ball.
There you go.
It's the only thing that's important with these plants is to get a good bond between
the parent soil and the... The planting soil.
Container, exactly.
We'll pack that in tight.
Give me another shovel full.
All righty.
There you go.
There's actually no harm in tromping it right down hard with your feet.
Just pack it down good and tight.
There, that ought to do it.
Tom, if you'll just give us a good drink of water, I've got a date over at the vegetable
side of this garden.
But listen, you've done a terrific job.
Thanks, Roger.
It's really been my pleasure.
Take care.
You too.
There's so much to do in these summer days that I come out here to the vegetable garden
and try to decide what I can possibly put off for another day and what absolutely has
to be done today.
I mean, there are beds here that need replanting.
There are things that need thinning.
There are things that need harvesting.
And here's something that we check in on every couple days to see whether it's ripe.
There are melons.
Now, not many people try to grow melons this far north, but we're doing pretty well here.
But the reason we're growing our own melons is so that we can pick them at the peak of
perfection.
And we know this is ripe when it gets a little yellow cast over it and when the stem pulls
off of its own accord.
That's called full slip, and it's a sign that the melon is fully ripe and ready to eat.
Now, to save space, we've let the vines grow up the fence here on the back.
That does save space, but you've got to provide some kind of support for the growing melons.
You see we've made a little hammock here.
There's a little melon in there.
And as that melon swells up, the hammock will take the weight off of the vine itself and
there'll be no danger of it pulling itself right off the fence.
Look here.
This is a lavatera in the hollyhock family, really in full bloom.
Now, down here, we've got a bed of kale seedlings.
These plants are going to be a foot and a half high when they're mature, and eventually
they'll be about 18 inches apart.
Right now, we're going to do an initial thinning and leave the plants about four inches apart.
That's about a palm span apart.
This will take out the intervening plants, and I'm going to give them a little top dressing
of 10, 10, 10, just to give them a little extra kick and work that into the surface
lightly.
Now, it's also time to thin these beets and these carrots.
Now, the carrots I'm not going to thin quite as drastically.
Little pole carrots leave about two fingers space between individual plants.
This way, we'll let all the carrots develop a little bit before we thin again, and we'll
be able to enjoy little baby carrots.
It's thinning, so rather than just throw them away.
Over here are some carrots that probably should have been harvested a little earlier.
If you leave carrots in the ground too long, they get big and woody and some of them split.
Let's see what we've got.
Well, that's actually not too bad, is it?
Those aren't too bad.
Ah, there's one.
You can see the split.
That doesn't ruin the carrot.
You just cut it out, but it isn't terribly attractive, and it's a reason to get the carrots
out of the ground before they get into horse carrots.
Now, the potatoes are also ready to harvest.
We could certainly dig them, but it's one of these things we can put off until tomorrow,
because the potatoes, they're really keeping the ground just as well as they keep anywhere
else.
If you dig down around here, you'll see.
There's a young red-skinned potato.
Perfectly delicious.
Certainly could eat it tonight, but if we want to keep it, we'll just put it back and
cover it with soil.
Keep the sun away from them so they don't turn green.
But there is a crop that we have to pay attention to right away, and that's this corn.
Sweet corn, if you leave it on the stalk too long, gets starchy.
This sweet corn would ordinarily be considered a little too old to eat, but it's an extra
sweet corn, you may remember.
And even though the kernels are really quite large and have that golden color that's characteristic
of corn that's a little overripe, because this is an extra sweet corn, its sugar turns
into starch more slowly than ordinary sweet corns, and it's still delightfully sweet.
Now let's see what Marion can do with this corn pudding.
Today I'm going to make a corn pudding.
I have it on the highest authority that this ancient and honorable recipe appeared on the
dinner table of the very first pilgrims.
I certainly hope they had a gadget like this one.
It has teeth and a blade, and when I run the corn ear across it, it releases the flesh
and the milk.
I need six ears of corn and I'll get about two cups of this flesh.
There we go.
Now I'm going to add two-thirds of a cup of heavy cream.
This is going to round out the flavor of this corn pudding.
And just a tablespoon of flour.
That will help thicken it because that corn was very milky.
And a nice grinding of black pepper and a little bit of pinch of salt.
And that is all there is to that.
This is going to go into a four-cup greased baking dish.
This is rich dish for hearty eaters.
And then into a preheated 325-degree oven, and that's going to cook for about one hour.
Corn pudding.
Try it and I think you'll see why it stood the test of time.
Next time, the Victory Garden travels to San Francisco, California to look at a garden
designed to attract wildlife.
It's a special place.
That's next time on the Victory Garden.
Funding for the Victory Garden is provided by this station and by other public television
stations.
And by W.R.
Grace and Company, makers of Peters Professional Plant Food and Potting Soil and Peters Concentrated
Liquid Plant Food for all home gardening needs, both indoors and out.
By America's largest producer of container-grown plants, Monrovia Nursery Company, supplying
garden centers and local nurseries nationwide.
And by Mantis Manufacturing Company, makers of a full line of lightweight lawn and garden
equipment for the home gardener, including the Mantis Spray Mate, the battery-powered
garden sprayer.
Call now for your copy of the new Victory Garden home video.
Watch Bob Thompson and Jim Wilson as they share the secrets of the Victory Garden.
This easy-to-use, comprehensive video cassette explains how you can grow your own prize-winning
vegetables.
Call now 1-800-441-3000 with a credit card.
The cost is $24.95 plus handling.
Please have your charge card ready when you call.
That's 1-800-441-3000, also available in bookstores.
Full presentation of the Victory Garden is made possible by a grant from the Aarons Foundation
Limited.
Brilliant, Wisconsin.
Coming up tonight on Wisconsin Public Television, evening at Pops at 7 and great railway journeys
of the world at 8.
In Florida, only 30 Panthers remain in a threatened paradise.
The African cheetah hunts on an ever-diminishing plain.
All over the world, natural habitats are being destroyed.
Are we about to lose our most precious animals?
Find out when Loretta Switt narrates, On the Edge of Extinction, Panthers and Cheetahs,
the next National Audubon Society special.
Tomorrow night at 7 here on Wisconsin Public Television.
WPNETV, Channel 38, Green Bay.
The frugal gourmet is brought to you by Black & Decker and Elkay.
Elkay, creators of a complete line of stainless steel sinks, including the unique gourmet
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I know that merely emphasizes the difference between you and us.
My brother's in trouble again.
Serious trouble.
We must get him out of Hungary.
What does he say?
The situation is getting worse.
He's been questioned.
He thinks they're watching.
What can we do?
Felix!
Oh, let's see now.
Very nice.
Very nice?
What do you mean very nice?
This is marvelous.
Look.
This is wonderful.
Elizabeth.
I like that one even more.
Elizabeth, do you remember I told you about my brother?
You know your Uncle Carl in Budapest.
We're going to see him and bring him back here to live with us.
How does it feel?
Somewhere between great and glorious.
What do you think it costs for a celebration lunch?
On me.
I choose the place.
Who's arguing?
Quiet and cozy, huh?
What else?
Come on.
Does anyone ever tell you you're a great cook?
No.
I can see why.
Would you like some relish?
You got any relish?
Look in the fridge.
Skip the relish.
How is it?
Almost as good as your left shoulder.
Has anybody ever told you you're a great lover?
Hundreds.
Thousands.
So what's my opinion against those?
You know, I'm really gonna hate leaving this dump.
Then don't.
What the hell with appearances?
It isn't that.
I'm going to need a two-bedroom apartment in the East 60s.
Poor.
Even farmers then won't need two bedrooms.
I'm going to have a permanent house guest.
Anybody I know?
No.
A man?
No.
Do you want to tell me about him?
Not now.
Don't forget the big dream.
All I've been hearing for years is the magazine, the magazine.
Now you're hot and you can get all the backing you want and suddenly there's a mystery guest.
Well, can I have both?
Sure, one at a time.
There's a thing called priorities.
Okay.
One thing at a time.
I've decided on a name for the magazine.
Suspense is killing.
Lace.
What's wrong?
Nothing except it's sort of lacy.
Those are soldiers have guns.
Look.
Here.
Aberdeen said she would attend with a sovereign,
but, perhaps, she may marry Master W 2009.
Here, though, are吸 rally matters.
거야 guuc Besides wile working,
The
thrills
Here.
Okay.
Something is going on.
There are special police.
Turn around.
It's impossible. They're CS.
They're searching for a girl.
Look.
We'll play hide and seek.
Hide and seek?
Don't make a sound.
Hide and seek.
This way.
Hide and seek?
Come on.
We shouldn't have both a child.
Come on. Come on, Flakes.
Come on.
Let's go running.
Come on.
Don't run.
Run.
Don't run.
Don't stop.
No.
Flakes.
Don't stop.
No.
Flakes.
I was done to me.
Save the child.
Stop! Change!
Fred!
How do you do it?
Angelina, please don't be hurt!
Your mother will come for you.
Angelina, please!
The usual amount.
I'd better hold it in trust.
As you see, our last draft was returned.
But I don't understand.
Perhaps they've gone on holiday or moved.
Should I make inquiries?
By all means.
It's most peculiar.
It's the battle of the rosies!
This rose has got the big towel.
This rose has got the quicker one. Bounty.
And they're off!
Bounty is the quicker picker-upper. See?
I'd better change my towel, Rosie.
But not your name, Rosie.
This is my dog.
We lost Best of Show at a big dog show.
It was a sad night. He was very upset.
I took some pictures, remember?
Well, now you don't think I'd take them just anywhere to be developed.
Here, come on, look at them.
He's still upset.
I show him the pictures, he says, Arf.
Color Watch, you're gonna thank me for it.
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Sir, would you choose hamburger A, a Wendy's hamburger, which is always served fresh,
or hamburger B, which is pre-made and sits around?
B.
But B wasn't just made.
Neither was the Mona Lisa.
Picasso painted that 400 years ago, and now it's worth 20 mil.
Da Vinci painted the Mona Lisa.
He did that.
Wouldn't you choose the fresh hamburger?
Choose Wendy's.
Now just how many California cooler flavors are there?
One, two, three, four!
Introducing California cooler Peach.
Now available at Quattro Packs.
Bule, bule!
You know, it's true what they say about crack and cocaine.
This year, over 15,000 people who try it are in for a real rush.
Tuesday, Dave and Maddie step out.
But even a roach is where tuxedos.
Yuck!
Moonlighting.
You can dress her up, but you can't take her out.
Then, can Spencer stop a vigilante?
Would you like a quick trip to intensive care?
Spencer for hire.
Girls, let's go.
Yeah.
Awesome.
You want to go?
Yeah.
You want to go?
Yeah.
In the evening!
Oh, my heart!
What is it? What happened?
Amud! Has something happened to the king?
He's dead.
Where's Prince Abdullah?
King Abdullah is mourning.
Where is he? I must see him.
All of Sidon mourns the passing of a great man.
Miss Taloni!
Please let me go in.
That is not possible.
Please.
Abdullah!
What?
Please, I must be with him.
Not only is His Majesty overwhelmed by his personal loss...
Abdullah!
His Majesty is most grateful for your compassion.
Abdullah!
Abdullah, please!
He has requested that you be assured of all safety and comfort...
during your departure from our country.
He also extends his deep affection...
and wishes you eternal happiness.
I've tried everything.
She won't see a doctor.
She won't see any of her friends here.
That's why I thought perhaps you.
You've always been so close.
Where is she?
She could have had her own room back,
but she insisted that you stay.
I'm afraid I can't.
She asked to come back,
but she insisted on her gardener's cottage.
We tried to make it cheerful and cozy...
Just tell me where it is.
Near the main gate.
One of my staff will show you where to-
No, never mind. I'll find it.
Maxine.
She drinks.
Ever since she came back from the Middle East, she drinks a great deal.
My mother sent for you, didn't she?
Yes.
She should mind her own business.
This is her business.
And mine.
Same as at school.
Still, you have to tidy up after you.
You don't expect Elizabeth to live in this mess.
Elizabeth?
I was going to send for her next month.
But I think she'll be happier here.
What is this? Psychotherapy for poor pagans?
Yes.
Thanks, but I don't need it.
All right.
He married someone else.
So what are you going to do?
Wallow in self-pity for the rest of your life?
Besides, we made a pact about Elizabeth, remember?
I can't look after a child.
You can, and you will.
As soon as you come back from New York.
I'm not going to New York.
I told Judy I wouldn't be there at her opening.
So you lied.
Georgia,
No peace I've found,
Just an old sweet talking,
Georgia,
Georgia, on my mind.
Can't keep no dream,
I can see the road leads back, the road leads back to,
Georgia,
No peace I've found,
Just an old sweet talking,
Georgia,
Georgia, on my mind.
Well, however did you come up with a name?
I think it's perfect.
Lang, so do I.
And so do I.
Pagan Trelawney, Maxine de Chazal, Christopher Swan.
He's one of yours, Pagan.
One of my what?
Say something British.
How do you do?
You see?
Now, where's Charles?
I haven't had a chance to say hello to Charles yet.
Oh, he's there somewhere.
I haven't got a drink.
Scott some soda?
Maxine says if you drink from the same glass, you share your dreams.
Share mine?
Thanks.
Now, the mix of the white,
I can't hear you.
Plays the road to a land of dreams,
Oh, shoot, just a minute.
Judy, they called for you, Paris.
Oh, well, then I know who that is.
She wasn't earth to the drift.
You, Maxine?
Yes.
Hi, Tom Schwartz.
Where are all the black and white?
I'm Pagan.
Which one is Pagan?
I got it in there.
All right.
Gonna come to the extension.
That is the dream.
Where are all the black and white?
You know?
Maxine, can you hear me?
Yes, we can.
Darling, is Judy and Pagan there with you?
We're all here.
We're all here, Aunt Orton.
Yes, sir.
And we wish you were.
Well, well.
Oh, listen, my darlings.
Oh, you must be very strong.
You must give each other strength.
That's been the most terrible accident.
It was an accident.
No.
We killed her.
All of us.
I need a drink.
Anybody else?
I want to cry, but I can't.
I wish I wanted to.
Why not?
It would go along with the rest of the act we've been putting on for six years.
As soon as I can manage, as soon as I'm established in my great, important career.
All right.
Let's be honest.
A six-year-old girl was killed.
None of us knew her.
None of us really wanted to know her.
No, that's not true.
Oh, yeah, hell it isn't.
Shut up!
I think if we say any more, we'll regret it.
I don't think there's anything more to be said.
I know it's hardly the place to talk shop.
Would you like to take me back to my hotel?
Certainly.
Right now.
Something wrong?
What's that?
One of your earlier efforts.
Maxine!
Can we drop you?
Thank you.
No, I'd rather walk.
Never mind.
We're masochists.
The Frugal Gourmet is brought to you by Black and Decker and Elkay.
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