Prepare for a journey to the far frontiers of the human imagination. On video now from the producer of the award winning Mind's Eye computer animation series, Sony Music Video presents Odyssey Into the Mind's Eye and the Computer Animation Festival. Overflowing with the most astonishing computer generated imagery ever created, Odyssey Into the Mind's Eye features original music from Kerry Livgren of the legendary rock group Kansas. Next, the cyber journey continues with the Computer Animation Festival, the ultimate showcase of the planet's most outrageous and creative international computer animation. It's a stunning interface of art, storytelling, and mind-bending technology. This must-have volume includes 20 eye-popping short subjects. Plug your imagination into the most extraordinary collection of computer animation ever downloaded into a VCR. Odyssey Into the Mind's Eye and the Computer Animation Festival on video and laserdisc now. Only from Sony Music Video. Oh Oh, baby, I'm gonna sing myself. Oh, girl, I want you to stand, stand by me. So, darling, darling, stand by me. Oh, no, It still looksим κάниacks like a Coetus... bersuchos No... Adios! Hup hup hup hup! Hup! performing Get ready. Oh You Oh Oh Oh Oh Yeah Don't fear of hesitation Now, right now Your love is liberation Live our passion Back home at midnight All the way back home at midnight Fluffy! Here, Fluffy! Come on, boy, do you have to go outside? Fluffy! Where is that stupid dog? Fluffy! Here, Fluffy! Come on, boy, do you have to go outside? Fluffy! Where is that stupid dog? Park! Park! Park! Park! Fluffy! Fluffy! Fluffy! Where are you, you stupid dog? Fluffy! Fluffy! Oh, there you are! Do you need to go outside? No. Oh, you are such a good dog! What a wonderful dog! Can you bark for me, Fluffy? Come on, boy, bark! Come on, Fluffy, what's the matter? Bark for me! Fluffy! Park! What a good dog! Okay, boy, here, Fluffy, come to papa. Oh, yes, oh, you are such a good dog! Yes! Oh, whoa, stop that. Down, boy, down, boy! Stop it! Stop it! Stop it! Oh, Fluffy, you are such a good dog! Park! Fluffy! Fluffy! What the? What the do I? What the do I? What the? What the do I? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? 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What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? What the do I? Wait, this is totally wrong. I do not exist for your animation. I am conscious and I am self-aware. And not only do I have memory of my experiences, I have awareness of my memory of those experiences. If anything, I am creating you. You have no choice but to create this animation, okay? I have free will. Okay, I'm back. Yeah, sorry about that. So, oh yeah, this animation is revolutionary. It profoundly redefines the concept of cinematic narrative. Well, it subverts the dominant paradigm of social-political alienation in the late 20th century. Yeah. Look, I gotta go. I'm trying to come up with a decent ending for this thing. Well, yeah, I have some ideas. Yes, for the ending of this animation. What kind of ideas? Okay, here's my favorite idea. They're these two hammers poised on the stage, right? And they represent oppressive forces in postmodern capitalism. And they crush the characters as... Pretty heavy hands. Okay, how about this one? The two characters realize that love is the only way to transcend their existential isolation. So they embrace each other physically, emotionally, spiritually, and politically. And become one with each other as they collapse together in a single quivering mass of love. No. Boy, that's a lot of work. You have any better ideas? Listen, ditch the two characters. The ending of your animation is about you. Me? What do you mean? I mean you are a work of fiction in your own animation. That's a lame idea. Wait, stick with me here. Your actions and your memories are created for you. Because I'm fictional. Because you're fictional. So you can suddenly change form at any time. So I can suddenly change form at any time, yes. I can become... A 30 year old white male and not even realize it. Or I can become a young Indian boy. Or an old man and never notice the change. But in my old age... I realized that I'm a work of my own fiction. And I realized that as a work of my own fiction, I can create my own ending. So I can suddenly change form at any time. And I realized that I'm a work of fiction. So I can suddenly change form at any time. I realized that I'm a work of fiction. So I can suddenly change form at any time. So I can suddenly change form at any time. music music music music . . . . . . . Thank you.